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Thursday, 18 April 2013

A Brief History of African Film

By: 6Television

The rationale that African filmmakers were denied the appropriate to provide their very own movies in the early days was because many African countries have been struggling beneath colonialism. European international locations like France and Europe strictly prohibited Africans from producing their very own films for worry that they would talk to the world the horrible oppression they have been suffering underneath colonialism. As we mentioned, it was not till these nations achieved independence that their writers and artists might finally speak out. Earlier than their independence, during the colonial period, most movies about Africa were produced by Western filmmakers. These administrators, most of whom had by no means visited Africa, often depicted Africa as an untamed land inhabited by wild beasts and savages. That is one of the reasons why Africa came to be generally known as the Dark Continent. And despite the fact that they knew next to nothing about Africa, it didn't stop them from perpetuating endless myths and stereotypes in regards to the land. Some of the most popular early films about Africa embrace: The African Queen, Tarzan, and King Solomon's Mines.
<BR><BR>Most African writers and directors were appalled by these early photos and stereotypes that have been being produced by non-Africans about Africa. This could serve as motivation for the primary generation of artists who would achieve success after independence. Though few anti-colonial movies were produced earlier than independence and completely none had been produced by African filmmakers in Africa. But when colonialism came to an end, all of that changed. The primary African motion picture to gain international acclaim was La Noire de (Black Woman). It was written and directed by Sembene, who hailed from Senegal and is still thought-about the father of African Cinema. Due in large part to his success, Senegal can be designated the unofficial capital of African filmmaking for decades. Then in 1969, the African movie festival (FESPACO) was established and gave a brand new discussion board to many gifted African writers and directors. That same yr the Federation of African Filmmakers came into being and created manufacturing and distribution networks that allowed African movie to achieve the masses.
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